Travel tidbits: Taipei

Having traveled in China and Taiwan for the first time since 2020, I have some thoughts. The past 4,5 weeks showed me many things that remain the same, have changed hugely or did not notice as much before. I will put some of these into words in my next few posts.

I am not made for a tropical climate. When we arrived in Taipei, my glasses fogged up as soon as we switched from an artificially cooled climate to the hot outside air, directly followed by sweat production.

The last time I had been in Taipei was quite some time ago, so the city was not that familiar to me. However, its atmosphere still was recognizable, especially its blend of Chinese and Japanese influences with local culture. I was surprised that everything felt a bit more rundown and old timey, especially when compared to the glitz and glamour of the big Chinese cities we just came from. Almost all of the vehicles also have gasoline motors, so that made for a lot of noise that is just not that present anymore in most Chinese cities.

One contrast that is still very clear, is the presence of religion. Although there seems to be a bit more interest in China for certain religious practices, it is of course heavily restricted and practice tends to feel very performative. Not so in Taipei. We stumbled upon some prayer times, holidays where statues were taken out, and many offerings (especially for the God of Wealth). Like Japan, the temples in Taipei vary from opulent to small and makeshift. It is clear that they really form part of the city’s and culture’s fabric, in a very natural way which I think is not that common in a lot of Western countries anymore.

Looking back to Taipei, I think it was the place where I felt most comfortable in my memories and experience. I remembered how good the bubble tea and local desserts are, how varied the nature is with sea and mountains so nearby, how bustling the city is but people do queue for the escalators, how weird it is to suddenly stumble upon some Dutch colonial history so far away (although I wrote about that earlier this year in Dutch here), how uninterested I still am in going up Taipei 101, how the night markets are nice to snack at but a bit hectic and making me nervous thinking about huge cockroaches. Although I always like to have a sense of discovery when going places, in this case a bit of recognition was more than welcome.

Asia is a country after all

Two questions popped up when I read about budget cuts for universities and how Leiden University is planning to cut costs: How is it possible to even consider merging all these specialized language studies in bigger regional programs? Would they even consider this for any STEM programs? But first, some context about my experience studying Chinastudies in Leiden.

Although I get asked from time to time if I am a student, that time is long gone. And looking at the recent developments and policy proposals in the education sector, I am happy to be done (for now). At the same time, it is a pretty wild idea that there seem to be people working to not improve our education system. Why is that?

Being adopted and going to China at quite a young age, I already knew for a while before going to university that I wanted to study Chinese. Starting in the year after China hosted the Olympic Games, Chinastudies offered a new window onto China and many others on the region as well. Coming from a small city in Limburg, it was the start of seeing more people like me and getting talked to in English. It was the start of uncovering a history, culture and language that felt foreign but eventually became familiar. It was the start of imagining a life beyond the Netherlands and actually blending into a different environment.

During my studies, I would often get the question of what work I wanted to do afterwards. The suggestions mostly were translator or teacher. I understand that there are some studies which train you for a specific job, but the beauty of humanities is that it offers skills that can be useful in a wide range of job fields and positions. That does not mean I did not struggle with finding work, or that I think this aspect could be better incorporated in the curriculum, but it seems these are not the more practical matters that universities want to focus on.

Recently, I listened to a podcast that described Just-In-Time production, which in modern marketing terms would be called ‘lean’. It basically means that factories only produce as much as they need and keep inventory as low as possible. This means the entire output is customer- or demand-driven, which seems to be a system that Leiden University wants to follow as well. Why offer academic programs that nobody wants to study? Why not shrink the number of staff to just the bare minimum? Why focus on the quality of a program instead of the money it generates?

The ignorance that Leiden University’s management shows by even considering to merge so many different humanities programs, is outright insulting. It is a clear case of undervaluing the worth that academic language and culture programs provide and purely looking at cost-effectiveness. Why try to pretend otherwise?

When I was living in China, or travelling in the country nowadays, I realized many Chinese do not know the Netherlands exist. Admittedly, it does not help that the Chinese name for the Netherlands sounds a lot like a province (Helan vs Henan) and I do not like Dutch either. But adding Europe would often elicit some nodding and affirmative noises. “Ah I see, it is in Europe”, was the general feeling I got. “Ah I see, it is in Asia”, is the general feeling I now get from Leiden University’s management.

Travel tidbits: Shanghai

When I moved to Shanghai, I ended up quite liking the city but not loving it as I did Beijing. Returning to it this year, I appreciated its qualities a lot more, although I have reservations about its future as well.

As a focal point for international business, Shanghai feels more relaxed and in a sense ‘less Chinese’ than many other cities. Compared to the increased focus on security in Beijing, the difference was even clearer this time. There were foreigners on the streets quite regularly, and we even saw a group of them on a city tour of some kind.

Although I knew it, I was still surprised at how little I recognized of the city. The street names rang familiar, but the buildings and actual restaurants and shops were all replaced. It is weird to self-doubt your memory as you walk around, when some key buildings still exist but everything around it changed. Or did it never even exist?

Going around the city, I did feel the city’s fabric actually being partly redesigned. I took a look around the neighborhood where I used to guide food tours, and it was totally closed off. Surprisingly, the prison there (Hongkou District), seemed to have expanded, although I did not check if it is on the map now (it was not on a Chinese map before) and maybe it has gotten a different purpose, although the thick walls and razor wire ensured a not-so-friendly impression. The actual houses though, caleld Shikumen in Chinese, were all closed and any entrance gates fully sealed off. It made me kind of sad to remember the hustle and bustle that used to be around here, the good food and snacks that will be impossible to get here anymore.

And this was not the only neighborhood in this state. Another Shikumen around Yu Garden was in the same state. I understand wanting to renovate the areas or possibly redeveloping them to make room for highrise to create more housing. However, seeing the state of China’s real estate market I am doubtful that this large-scale development will end up profiting the general public. It seems more of it is destined for commercial use, judged by information on the tarps at Yu Garden, which I do not think is a good trade-off for the city, nor its residents.

Besides these old parts being closed for redevelopment, there was another shopping mall I used to go to that was completely derelict. It looked like it got flooded or otherwise damaged, but still accessible and on the maps as well. Seeing old photos of it gave me an especially melancholic feeling. So there were some nice surprises about Shanghai, but also some worrying developments pointing to its future. It seems to have retained a bit more of its character, but is still going through plenty of change.

Travel tidbits: Beijing

First, I will make a comparisons between the cities that I went to and the cities I remember. And of course, the most prominent one among these is Beijing.

Having lived there for almost 3 years, I have a certain soft spot for it. The convenient grid-like structure, while still being able to wander around in the hutong alleys. Its megalomaniac official buildings that exist next to ramshackle or improvised architecture. The mix of old and new, a certain liveliness and rough personality that the city exemplifies.

Thus, it was quite shocking to realize how much of it changed. Gone are the food stands on the streets, everything is in a little shop. Worker’s Stadium is completely cleaned up without any clubs or drunk people hanging out near it. At one entrance there is a Michelin-star restaurant, quite the opposite of how it used to be. Gone are many dirty and messy corners in the city centre that would contrast with the glitz and glamour of the malls. Now everything is commercialized, shiny and new. How could you want it any other way.

Part of the hutong alleys remains the same, luckily. The redevelopment seems to be more focused on actually improving living quarters, than bulldozing anything that seems old. The quiet of the hutongs, compared to the noise at the big boulevards is still immediate and remains a huge contrast. The splendor of highlights such as the Forbidden City, Summer Palace and Great Wall is not diminished, but the city itself seems to have been reeled in. The metro has guards actively patrolling and commenting on behavior. Every ticket needs to be booked on your passport or ID. There are noticeably less foreign faces on the streets.

If I seem overtly disappointed, it is probably nostalgia speaking. I am not saying Beijing is not interesting or special anymore. It is just a whole lot different from how I remember it being. There is a reason I used to come back to Beijing that often when I already lived in Shanghai. I am not sure there are as many reasons now for me to keep coming back.

The Scoreboard: A Sign of Affection

As everybody else on this planet, I have an opinion. As many people do too, I like to write about it. Share it generously. And I am excellent at keeping score (mentally), so I will try tallying up my fondness of things according to balance.

A Sign of Affection

Love is one of the most universal topics and I am a sucker for a sweet romance. This anime has heaps of sugar, many pastel-colored backgrounds, twinkling eyes, but it somehow manages to not go totally overboard with its elements.

The main character is Yuki, a sweet, timid deaf girl who’s just entered college. By the way, I am also a sucker for college romance. My very first anime series and one of my all time favorites is Honey and Clover, set in an art college. This college is more nondescript, but it is always nice to have more mature characters at the heart of a story.

Yuki takes the train one day and is asked something out of the blue by an enthusiastic stranger. She signs that she cannot hear, but he does not seem to notice. Before things get too awkward though, a young man gently intervenes and helps the stranger out.

It is a typical meet cute, heroine gets rescued by her hero. And for a series so romance-focused, things happen surprisingly drama-free. For the main romance, that is a good thing since it shows Yuki building trust with Itsuomi, him being fortright about putting effort into learning sign language for her sake, and both clearing up misunderstandings swiftly and enjoying to spend time together.

There is a bit more drama involved with the secondary characters, especially Yuki’s overbearing and overprotective childhood friend Oushi and Itsuomi’s high school friends/love triangle Shin and Emma. Although this provides some meat to the plot, and in Oushi’s case some actual growth, Shin and Emma’s case ties up a bit too quickly for all the setup that was done.

The other romance between Yuki’s friend Rin and Itsuomi’s cousin Kyoya also does not really get enough time to fully flesh out the development from friendship to romance. Both are nice characters, feeling are involved, but there is no episode reserved for their plotline.it honestly feels like a missed opportunity because Rin as a popular girl and Kyoya as a weary date-avoidant guy seem to have some interesting backstories.

Although I really enjoyed the series as is, I do think it would have benefitted from some extra episodes. Not only because the main couple is hella cute and it would surely be enjoyable to spend more time with them, possibly allowing for Yuki to be less tense with Itsuomi as well (yes I love me some smut), not only to flesh out the secondary characters more, but to also highlight Yuki’s experience as a deaf person in Japanese society more. We do not see her taking any classes, she does not reminisce a lot about the past, we do not know a lot about her fanily or why they did not learn sign language and although she gets a part-time job, we never see how it goes for her. These would all have been very relevant topics that could also naturally develop the bond between Yuki and Itsuomi.

Although it may seem the series came up short, I would say that is only the case since it was so enjoyable. I wanted to explore, learn and see more. Alas, maybe I will pick up the manga or a second season could be made.

I rate it very sweet and nice, good to watch if you want to reminisce about your first, current or future lover.

The Scoreboard: Suzume

Suzume no Tojimari

There are not a lot of directors that I have seen all works from. Obviously, this is a bit easier the shorter the list gets, and Makoto Shinkai is one that does not constantly churn out new films. Still, I have not seen all of his films but definitely the majority of it. And like most other people, I was really touched by Your Name. But I also remember really liking 5 Centimeters per Second and Voices from a Distant Star.

His stories often focus on couples, in the prime of their teenage years, juggling change and difficult decisions. His visuals also have a very particular, crisp and bright look about them. They have the digital enhancement and cleanliness to them, without losing character.

For the most part, Suzume looks gorgeous as well. The landscapes are vibrant and dynamic, and places recognizable, especially as she moves throughout the country. However, I tend to not really like too much spunk in my heroines, and especially at the beginning Suzume exhibits quite a bit of it. It is a bit at odd as well with her stoicness and distant friendliness to her aunt. Also, although the boy is gorgeous, the love story feels a bit shoehorned in. It is the traditional love at first sight from her end, and even though they end up travelling together and getting to know each other quite a bit, it feels weird when a college student seems to get a crush on a high school girl.

Another thing this film suffers from, is the density of its lore. The world is fleshed out quite quickly, there are doors to other dimensions that need to be closed in order to let the worms under Japan not consume the country, but not much is told otherwise. Not about the family line of Souta that has closed doors since ancient times. Not about the escape and wish of the cat who served as the keystone to keep the door closed. Not really about Suzume’s family history beyond her mother tragically dying during an earthquake and her aunt not getting through to her. Not about the magic that turns Souta into a chair and almost prevents him from returning back to his human self. There is so much more to explore which could have helped take the story to another level.

As it stands, there is still a lot to enjoy but I felt myself wanting more when watching it. Because the premise is so intriguing and the basic worldbuilding done quite well, I wanted to delve more into the characters, their motivations and backgrounds. Also, the gimmick of seeing Suzume walk around with a broken chair is quite funny, but gets a bit stale by the end. And Souta is very handsome of course, so I would not have minded seeing more of his face as well.

I rate it nice and heartfelt, lacking a bit to give it that extra punch.

The Scoreboard: Cherry Magic!

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?!

When I started watching this one, I simply wanted a nice, sweet and short series to bingewatch. Lately, I have been getting back into watching anime again. But it feels like I need to watch a show with adult characters as the main focus, to not get too swept up in some of the immaturity that younger characters display.

Although the heyday of my ‘rotten girl’ period has passed, I do love me some boys love content. I do not know exactly which scratch it itches, but somehow an unfolding romance between two male characters has something special. I think because it is more unexpected for the characters, and that is a fun element to play with.

Another fun element that this anime plays with, is the idea that you get a magic power if you are 30 and still a virgin. You will be able to read the thoughts of anybody touching you. Our main character, Kiyoshi Adachi is of course quite taken aback by this. The anime delves right into his first moments with his new power, how it makes some things more difficult or unpleasant for him, but most importantly it quickly gets to the gist of things: he finds out his colleague Yuichi Kurosawa secretly likes him. And that is a big deal, because this guy is the star of the office. He is perfect in all regards, smart and beautiful, the one everybody wants to be with.

I really liked the pace of this series. It quickly provides exposition for the main characters and the situation they find themselves in. And also afterwards it continues in this breezy manner. We see Adachi grappling with the disconnect between Kurosawa’s behavior and his inner thoughts he can grasp. Even with this much inner dialogue being revealed, reactions remain believable and the matureness of characters in this dramatic setup is refreshing.

The B plot, though entertaining, does not hit as hard. It feels like the premise between the two characters is not as sweet, and both behave a bit more like the standard anime archetypes: mature shy guy and a tsundere in this case. At the same time, the plot does tie in nicely with the main one while adding some valuable context and depth.

I also enjoyed the side characters, especially the other ‘rotten girl’ colleague. I am a bit sad that the misunderstanding was not revealed, Adachi assuming she liked him whereas instead she likes imagining him together with Kurosawa, but it is a fun addition. The other colleague almost verges on the border of being annoying, but him bringing out Kurosawa’s pettiness when vying for Adachi’s attention is fun to watch.

All in all, this is a fun little series to watch in a weekend. It has a nice pace, a clear story to tell, and characters who know what they want fairly quickly. It looks decent, although characters do seem a bit off most of the time and animation can look a bit stilted. It is a shame since some key moments are animated very beautifully, which highlights the difference with its usual look. I also had to get used a bit to the style in the beginning, it seemed like the characters were perpetually tired with the lines under their eyes. Something not unimaginable from salarymen in their early thirties.

I rate it a very good time if you like romance, especially if you are already or on the path to become a rotten girl.

The Scoreboard: Dune trilogy

Dune

I had a good time with Dune. This was the second time, and I think the balance was almost entirely on positive most of the time. The events flowed quite seamlessly and everything came together quite effortlessly.

I remember the first time everything seemed too dense. The background of the different peoples, the conspiracies and political infighting, the workings of its universe. It also felt strangely frustrating at times since it jumped around a lot, thus making it a challenge to grasp something new when other things had been barely processed.

Having seen the first movie definitely helped, but I think I also got more patient in reading these types of novels. Rather than trying to understand it all fully, I was able to go more with the flow of the story and let the story unfold itself.

This way, it really turned into a pageturner for me. The characters are all very fleshed out, even though there’s so many of them, and you can really sense how much thought went into the world building. The opening of each chapter provides some background into how much else there is available.

I rate it highly captivating.

Dune Messiah

The first time I read Dune, I did not get around to any of its sequels. After seeing the second film, I felt propelled to read the next book which would be the last film (as of now) to be adapted by Denis Villeneuve.

It surprised me that the book was so thin. I liked to learn more about what happened to the characters after the first book and see how they had changed the world. It also made its point pretty clearly that messianic figures are to be doubted and it is easy for good intentions to lead to unintentional nefative and all-encompassing results.

However, it also felt more single-minded in its pursuit of proving this point. Whereas in the firstbook, its storytelling was leading and any opinions skillfully merged with it, this time it felt more like the story was serving the point it wanted to make.

Funnily enough, Paul’s despair and boredom felt quite relatable, especially when the story would focus on the negative aspects of governing.

As a whole, the story breezed by quite easily and clearly laid the groundwork for its continuation. But it also felt more mechanical and I noticed myself more eager to cross off certain events (yes, I sometimes spoil plot points for myself), than looking forward to seeing them unfold.

I rate it an okay sequel, more setup than actual story.

Children of Dune

After finishing the second book, I was still eager for more. Especially having read the approximate events that would unfold.

The third book feels more like a proper story. I did not find the characters as interesting as the one featured in the first, but the story is clear, has some high stakes, and surprises along the way.

I like the sociological aspect thatcame through stronger in this book. The fact that the Fremen are changing, weakening some would say, and that change can only go so far. The balance of a natural environment needs to be raken into account, otherwise everything is doomed.

Again, I didn’t find it as good as the first one, but I had a lot of fun going through it. The intros are getting a bit overblown though, and I found myself quite uninterested in the extra info it gave. Mainly because it went quite deep into religion, culture and history without everything necessarily being mentioned in the story. So it almost felt more like a world building flex than interesting information.

I rate it a recommended, more entertaining than its predecessor but not quite the peak.

Why digital cleanup is no fun

I like order, structure, organization. Giving things a place brings me joy. Sparks joy I guess in organizer-guru-speak. And sure, whenever I moved there were always moments of anguish and hopelessness whenever I needed to pack stuff and take it all out. The moment you have lost all of your energy and the physical stuff is all around you on the ground. Been there, done that.

However, for the organized person I am, my own digital archive is not that well-structured at all. At work, I thrive when deciding on a file naming system or cleaning up folders and putting them together. When I look at my own collection of videos, photos and (important?) documents I want to cry.

It is of course a grand paradox that because we now have seemingly infinite space to store stuff, this makes us more careless about how much stuff we create. And of course visuals take up a large part of this ‘overcreation’. Everyone probably has at least one thing that they constantly record, and mine is mostly sports.

I think many sports are some combination of techniques and visuals. And it is great that we have so much visuals to learn from and improve with, but it can also be impeding. I record myself dutifully every session, but I do not tend to look back at it too much. I know I will be focusing on a bent leg or flexed foot. Did that flow got interrupted because of the buffering or is it my movement? It simply does not spark joy for the most part.

Moreover, there is not only the stuff I film myself, I have external platforms that I check or neglect to check. There is a constant feeling of having too much and not making use of its potential. It is the opposite end of the subscription scheme. There is too much stuff we do not own, and too much of the stuff that we do own. Balance is lost.

Instead of limiting ourselves to saving the things we find very important, we are being ruled by the amount of digital space available. Enticed to pay for increased space, which just means a brief respite to look away ant not at all of the stuff that we record. I am only limited by my unwillingness to pay for things, which results in brief outbursts of downloading, deleting and quickly putting things together in one folder so everything else seems to be in order. Eventually I will look at it. Probably not.

Praise for pragmatic fictional characters

Sometimes, I think about how it would be if someone like me would be the main character in a high school anime. Some of the standard highlights, would certainly play out a bit differently I imagine.

Beach episode: I do not really care for the beach. My swimming is quite below average, I wear glasses and cannot really see stuff without them, am bad at ball games which seem to be involved in most beach games. However, I would absolutely kill at the watermelon game. Although I always find it a bit of a waste, since much juice will probably be lost, it is a combination of many things I like. Burst of targeted violence and food. A beach episode would probably just involve getting a few watermelons and a few heads smashed.

Summer festival: although I am capable of wearing long clothes during summer, searing sun beams have made me appreciate extra protection instead of the limited cooling bareness provides, I am not good with clothes that limit my mobility. Although I have excellent mental self-control, my physical self-control is less strict. Especially my legs that preferably have some space between each other, but also to allow me to easily move around on my bike or walk the stairs. The games are also not really my thing. They are either rigged, involve skills I do not have sufficiently or involve too many others around me, especially kids. I do like the food part and the fireworks though, I could easily just fill an episode eating at all the stalls.

Cultural festival: teamwork at a large scale is not really my thing. I would probably do my job, be present, participate and stay in the background.

Sports competition: these really combine two opposites for me, at least when I see them in an anime. On the one hand it is about teamwork, on the other hand it is about winning. I am very much about winning, going all out, amazing everybody. But only if I am good at the thing. The sports I have seen featured in anime often involve a team and hand-eye coordination. Bad combination for me. But the drama created by me not doing my best and being passive-agressive about it, could be entertaining. Possibly.

Valentine’s Day: I do not like baking. I find it a lot of hassle for only part of a meal. I would probably be too nervous to give chocolate anyway if I had a crush, so it would end up being a store-bought bar to a friend or something.

Christmas: as a Dutchie, I am more attached to Saint Nicholas than Santa Claus. However, I do like the idea of a sleigh with reindeer in the air. On the other hand, having KFC or fastfood for Christmas does not attract me too much. Also, the emphasis on romance would probably kill me.

New Year’s Eve and Day: temple visit sounds fun! Praying, fortune telling is always more fun if you only do it on special occasions. Also, I would be dying to have a new year’s dream featured and possible interpretations offered. And of course food and money! A perfect combination.

School trip: I expect to not be late or miss the bus for any of this. I would probably have stuff in my mind that I want to do, see or visit at the destination, but I could be too shy to speak up. That could lead to some nice drama and heightened emotions.